All

This simple yet ethereal setting of the early American folk hymn may be sung by two-part treble voices, or may be sung as an easy (parallel voicing) SATB anthem using the included markings in the score. Highly effective with minimal difficulty! For SA or...

Kenyan composer Daniel Muroki uses creative harmonies, rich piano textures, lovely countermelody and dramatic modulations to offer an effective new setting to this hymn for SATB voices and piano.

The traditional text and tune are elevated by the exquisite treatment for which Howard Helvey is known. Refined, elegant lines weave into a lovely prayer of aspiration for SATB choir and organ.   Composer Note "At Calvary Episcopal Church, my parish...

This marvelous new arrangement of the classic hymn for TTBB voices begins with quiet assurance, a beautiful combination of strength and gentleness which continues to build until the congregation joins with the choir and instruments to a dramatic final...

This marvelous new arrangement of the classic hymn for SSAA voices begins with quiet assurance, a beautiful combination of strength and gentleness which continues to build until the congregation joins with the choir and instruments to a dramatic final...

Now available for TTBB voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the offering we...

Now available for TTBB voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to offer ourselves as living sacrifices to serve God and...

Now available for TTBB voices! The first movement of Craig Courtney's trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as a celebration rather than the meditative, lyric manner...

Now available for SSAA voices! The third movement of Craig Courtney's trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the offering we...

Now available for SSAA voices! This regal, stately second movement of Craig Courtney's trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to offer ourselves as living sacrifices to serve God and...

Now available for SSAA voices! The first movement of Craig Courtney's trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as a celebration rather than the meditative, lyric manner...

This short but soaring Amen can be sung a cappella or accompanied with the included simple piano part. Try it as a benediction, a choral reflection, or as a short farewell to close a sacred concert. Composers Note "I’ve always loved choral pieces...

This soulful setting of original text by Tom Trenney invokes a gospel music tradition, "preaching" its text through declamation and bluesy harmonies: "God wouldn't bring you this far to leave you; no height nor depth nor anything else can separate us...

Dan Forrest's three settings of "Hallelujah Psalms" (for SATB choir and piano) range from invigorating to deeply touching to dancing for joy! Each movement begins and ends with the statement "Hallelu Yah", just as the three Psalms do. Optional...

Dan Forrest's three settings of "Hallelujah Psalms" (for SATB choir and piano) range from invigorating to deeply touching to dancing for joy! Each movement begins and ends with the statement "Hallelu Yah", just as the three Psalms do. Optional...

Dan Forrest's three settings of "Hallelujah Psalms" (for SATB choir and piano) range from invigorating to deeply touching to dancing for joy! Each movement begins and ends with the statement "Hallelu Yah", just as the three Psalms do. Optional...

Craig Courtney sets words from Psalm 33 for SATB choir and piano with optional flute or violin. Text including "the earth is full of the goodness of the Lord" is then painted by floating instrumental quotes of LASST UNS ERFREUEN, before the anthem closes...

A refrain of Alleluias surrounds this prayer for healing written by Joseph Martin. Inspiring musical images become metaphors for redemption: "Lord, heal our wounded alleluias; touch our fragile, simple praise; comfort every troubled wayward song with...

A hauntingly beautiful collaboration between modern hymnwriter Erik Dewar and Dan Forrest, this anthem for SATB voices (with piano and optional strings) weaves together a newly written hymn with "I Heard the Voice of Jesus Say" (KINGSFOLD). A...

Beckenhorst welcomes South African composer Franco Prinsloo to its catalog with this ravishing setting of Afrikaans text for treble voices and piano: "...Alleluia, praise his name; for every bright new moon shines over the whole earth with endless...

Beckenhorst welcomes South African composer Franco Prinsloo to its catalog with this ravishing setting of Afrikaans text for treble voices and piano: "...Alleluia, praise his name; for every bright new moon shines over the whole earth with endless...

This waltz-like Christmas anthem is perfect for the opening of your Christmas service or church concert. 

SATB - Appropriate for Christmas services and concerts.  Lyrics by Rebekah Pringle.  A complete orchestration ( BP1824A) is available. Companion products (printed copies): A Cradle Carol - orchestration

Digital download of the official lyric video for Dan Forrest's Let the Stable Still Astonish.  Video file (MOV file, 1920x1080 resolution, 428MB) is to be used for local playback (rather than streaming from YouTube). Your single purchase receipt...

Digital download of the official lyric video for Dan Forrest's Silent Night.  Video file (MOV file, 1920x1080 resolution, 455MB) is to be used for local playback (rather than streaming from YouTube). Your single purchase receipt serves as permission...